| I
began painting along the rocky coast of Cape Ann, Massachusetts
interpreting the changing seascapes and the granite quarries which
shaped the interior and harbors of the island. As a balance, I visited
and painted the low country of Georgia and South Carolina interpreting
the special light and warm southern climate, the rivers and creeks,
beaches, lowlands and the historic and industrial structures.
An additional counterpoint was
afforded me, when in 1999; I was awarded an artist’s residency at
Brisons Veor in Cornwall, Great Britain where I concentrated on the
rugged coastline and the abandoned tin mines dating from pre-Christian
days.
Recently, I have chosen Savannah,
Georgia as my permanent home. Here I continue to synthesize the diverse
and common elements of places by the sea.
My View of Landscape
The swiftness of time passing, the
changes we make to our environment, what is lost and what is gained is
my focus. I note as aspects of the landscape ranging from the pure
unaltered landscape – trees, rocks, sea, to the invaded landscape
where man and tools have incurred, to the human ‘manscape’, a
totally built environment.
The pure landscape is where the
water and elements wash the coast and leave nature’s footprint and
remove man’s. There is a constant movement and tension created where
water meets rock and sand.
The invaded landscape is an
industrial meeting of man, tools and nature. The scars left by this work
are manifest in chiseled marks which remain as a monument to strenuous
effort long after workers have gone.
‘Manscape’ happens when man
and tools build a new shape. As a former home designer and builder I am
still drawn to constructed elements and, in particular, that distinctive
individuality that projects a statement of independent personality. |